Not content with their start-to-finish cover of Pink Floyd‘s landmark LP Dark Side Of The Moon from a few years ago, The Flaming Lips have now recorded and released a “companion” piece to that record, intended to be played simultaneously. It is called Flaming Side of the Moon.
I know what I’m doing today.
Dark Side is an album rife with its own mythology, which includes the details behind the making of the record, the subject matter of the songs, the mysterious audio snippets buried throughout, and, of course, the supposed connection to The Wizard of Oz (which is certainly coincidental at best, though the Lips say this release does indeed sync up). So it is a prime target for further creative explorations by sonic adventurers The Flaming Lips, who are no strangers to this kind of multidimensional, puzzle-piece recording, having created their own Zaireeka, an album released in 1997 on four different discs, also intended to be played simultaneously.
[UPDATE: The Flaming Lips report this was an April Fool’s Day joke. So, everything above, and it’s all real, and they did it, but… just kidding?]
Streaming radio giant Pandora has responded to allegations, most recently from classic rock giants Pink Floyd as well as music-biz critic and Cracker frontman David Lowery, that not only are their current royalty payments criminally low, but that they are currently lobbying for the right to reduce those royalties by as much as 85%.
Pointing the blame mainly at the RIAA, Pandora co-founder Tim Westergren has issued a lengthy and personal letter to users and industry personnel around the world. In the letter, which you can read below, the company denies plans to lower artist royalties and addresses ongoing concerns with their current compensation system. The message reads: (more…)
How else to explain the Nashville-based singer/songwriter/producer/musician Osenga’s “story” Leonard, The Lonely Astronaut, released on September 18. Perhaps the album’s theme was born of his love of science fiction and folk? Sure, rockers have explored this concept for years”David Bowie‘s 1973 album Aladdin Sane and Pink Floyd‘s 1973 album Dark Side of the Moon come immediately to mind”but it’s fairly new territory for folk. Credit Osenga’s eclectic taste in music for the turn.
“I was into grunge and then Peter Gabriel, Pink Floyd, all the shows on the big stages,” he said of his early influences. “The music was heartfelt but they could hide the fact that they were heartfelt by putting on a big show. When I moved to Nashville I became friends with folk artists and really got into Paul Simon, Emmylou Harris…..And I’m a huge literary nerd, too, so that helped make this.” (more…)
Summer is beginning to come to a close, and it’s about time to start packing. As much as we hate to admit it, we need to leave the lake houses and beach bungalows behind and return to the real world. Home Is Where The Heart Is features an eclectic mix of songs about just how great home is, whether you’re missing familiar surroundings or simply anticipating the happy return to your domicile. So load your trunk, say goodbye to summer friends, and begin the trek back home.
Here are 15 tracks from Native June, The Beatles, Seven Handle Circus, Rancid, The Dear Hunter, and many more to help you on your journey.
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You don’t have to be stoned to be psychedelic. Sure, people tend to tag psychedelia as trippy, but that appellation has as much to do with the transporting quality of the best psychedelic music as it does with anything Timothy Leary ever espoused. After all, even Jimi Hendrix himself famously described the titular satori-like state described in Are You Experienced? as being not necessarily stoned, but beautiful. But if you’re after a more modern example, turn toward The Sufis, a young Nashville-based trio of psychedelic rockers whose driving force, Calvin LaPorte, observes, Bands who say they’re psychedelic but don’t really sound like they are, we encounter them all the time, and it’s pretty much guys who just smoke a lot of weed, and the music sounds better when you’re stoned. I think that’s what that kind of ‘psychedelic’ is, but we wanted to hone in more on the arrangement of psychedelic music.
Together with guitarist Jay Smith and drummer Evan Smith, multi-instrumentalist LaPorte pays homage to the swirling psych-pop sounds of the ˜60s on The Sufis’ self-titled debut album. And while his primary influences were making records before he was born, LaPorte comes by his inspirations naturally. He was first bitten by the paisley-patterned bug as a child, via his father’s record collection. I’ve been listening to that kind of stuff since I was six or seven, he recalls, The Beatles, I heard [Pink Floyd‘s Syd Barrett-fronted 1967 single] ˜See Emily Play’ really early on, seven or eight. And he [LaPorte’s father] had a lot of Beach Boys, that’s definitely one of the big influences. (more…)
Bands are hard to keep together. People fight, quit, rejoin, remember, quit again, die and so forth. Sometimes that band member is so integral to the music that it’s pointless to go on”some bands realize this and pack it in. But often, the remaining members don’t want to give it up. Here is the good, the bad and the ‘meh’ of some big, post-departure acts.
The Rolling Stones
Thank you, Jeebus, that The Stones kept it going after the 1969 departure and subsequent death of band founder Brian Jones (but couldn’t they have stopped after 1981’s Tattoo You, oh mighty Jeebus?). Jones’ contributions to the band are not to be discounted, but by the time he left, he had been marginalized”for better or worse”by the Jagger-Richards power team (and by most accounts, by manager Andrew Loog Oldham, not to mention by booze and drugs). The Stones went on to produce some of their greatest work.
While some people swear by Syd Barrett-era Floyd, the mental unraveling and eventual canning of the former frontman heralded one of rock’s greatest and most unlikely metamorphoses. With Roger Waters taking the pole position (and with able assistance from Barrett’s replacement, David Gilmour), the band slowly shed their psych-pop identity in favor of spaced-out stadium rock.