Somewhere between atmospheric electro pop jams and dancefloor bangers lies Iman‘s brand new single, “Wishing.” The London-based independent artist has been best known until now for writing and recording with Ed Sheeran and Rudimental, and was also called into writing sessions for Kanye West. But her smooth and sweet voice is quickly coming to the fore, as she gains international attention, and this new single demonstrates why. The clever and precise production is subtle enough to pull off the trick of creating a mellow vibe for a should-be dance pop hit.
Meanwhile, Iman is in the midst of a tour funded by a grant from PRS For Music Foundation. Here are the dates:
- 24th April 2017 – Lost in The Manor Vs Lady @ The Finsbury Pub | Free Entry | Get More Info here
- 27th April 2017 – Discovery 2 @ The 229 | Get Your tickets Now
- 28th April 2017 – BlueBerry Nation @ Ma Dame West London | Get your Tickets Now
- 6th May 2017 – Acklam Village | Set time – 5.00PM – 5.45PM | Free Entry | Get More info here
Every month, the OurStage community (that’s you) listens and ranks the songs competing on OurStage.com. Once those songs get to the Finals stage, five grand prize winners are selected. Those winners get featured on the ‘OurStage on Amazing Radio’ show, broadcast from the UK to hundreds of thousands of music fans, both on terrestrial radio in the UK and online around the world. Last month’s show is streaming now. Below are the top five that you’ll hear on this month’s show, but you can preview them now by clicking here for a playlist.
“Remember Your Strategies” by Silent Party
“Wide Open” by Brooks Maguire
“Angel” by Rezzonator
“Bet It All” By TAP TAP
“Driven You To Ground” by Phaedrum
Jordan Corey has just dropped her new single “Focus” via her Bandcamp page. It’s a complex and subtle pop song, with a heavy electronica influence. It marks a departure from some of the more vintage elements of her previous singles, with a thoroughly modern vibe. The propulsive beats and bass lines bubble underneath soothingly lush synth swells and Corey’s incredibly restrained but compellingly melodic vocal. Layered harmonies cut in and out to complement the synthesizer. Overall, it’s a beautiful relief from some of the aggressively uptempo and overwrought pop currently bombarding the airwaves.
A onetime OurStage ‘Artist of the Week,’ Corey recently played the infamous Electric Daisy Carnival EDM festival. She’s been teasing a video to accompany “Focus,” so we hope to have more from her soon.
It’s not easy to be a really hooky pop band while also being markedly original. But on their newest LP Golden Time, Late Cambrian have shed their more direct influences in favor of a unique take on the time-tested guitar/bass/drums/harmonies formula. Take for instance the song “Objects May Appear,” which just got the video treatment. Irresistible chord changes come in waves, sweeping over a syncopated beat and lead guitar line, and on top of it all are, yes, incredibly sweet melodies and harmonies. The video is a kind of perfect, zen experience that simply enhances your complete absorption into the song. I’m not saying they’re changing the face of music forever – it’s still guitar pop – but if you can listen to / watch this only once with no repeats, well, you’re a stronger person than I.
About a month ago, after One Direction dropped their latest release, Midnight Memories, most reviewers couldn’t help but point out the album’s shameless knock-offs of some of the biggest pop hits of the ’80s including “Jessie’s Girl,” “Pour Some Sugar On Me,” and pretty much any song by Asia, just to name a few. And, yes, while the songwriters behind the squeaky clean boy band’s smash singles make their musical points of reference pretty obvious to any listener older than 12, they also manage to pull off some patently ingenious lyrical references that slipped by most recaps of the album “ mostly because that was precisely what they were designed to do.
Upon a first listen, the first verse of “Better Than Words” sounds like pretty standard fare for a One Direction song: a just-generic-enough description of crazy, undeniable love that sweeps you up in its whirlwind of affection and excitement.
Better than words
But more than a feeling
Crazy in love
Dancing on the ceiling
But, if you haven’t noticed it already, each line is also a song in its own right. The second line. The third line. And, you guessed it. These aren’t just lyrics in a One Direction song, they’re built-in references to seminal pop hits. And they’re placed directly next to the title of the One Direction song, itself the very first line of the song.