Bronze Radio Return last week fired off a new single, “Come With Us.” Following up October’s “Ready To Go,” the new track rides a similar vibe, existing somewhere just shy of electro pop, but still closer to modern rock than the band’s more rootsy origins. Atmospheric and dynamic, while still consistently driving, “Come With Us,” is lousy with hooks and it sounds simply fantastic.
Teddy Westside, the Sarasota FL-based artist found most recently at the top of our urban Best of the Best chart, has a short and sweet new video for his track “L.A. for the Summer.” Simple and cleverly edited, the clip is just over a minute and a half long, just long enough to make you want more of the melodic, hypnotic groove. Check it out:
LA’s Aloud have dropped a killer rave-up in the form of their new A-side, “Son Of The Dharma.” The song, lyrically inspired by mixed feelings about Jack Kerouac, is a neo-soul blast of guitar and Hammond organ, fronted with Jen de la Osa‘s rich voice. The amped-up Stax and Motown vibe is in keeping with Aloud’s recent singles, including “Falling Out Of Love” and their take on the Rolling Stones‘ “Dead Flowers.” But look only to the new B-side, “Last Of The Evergreens,” to understand the depth of the band’s material. The track, sung this time by Henry Beguiristain, is sparsely arranged, but carefully crafted － more Marshall Crenshaw than Otis Redding. Together, the tracks offer something less and less common from new artists, which is a creative and cohesive sensibility untethered to a single defining sound. Listen to both tracks below.
UK duo KAZE are back with a very cool video for their single “Conversation.” The track itself is a nice blend of groovy ’70s AM radio melodicism and funky, fuzzy modern indie rock, taking a turn from the former to the latter at the song’s instrumental bridge. The video, directed by singer Amy Webber, reflects the lyric’s yearning for self-reflection, in contrast with bustle of constant communication around us. She walks the streets, trying to make that connection, ironically via her own mobile. Watch below:
Beecher’s Fault, pride of Astoria NY, have followed up their excellent extended player The Easiest Drug To Sell with a new single, “Never Mine.” The song sticks with the meshing of propulsive programmed grooves and warm pads with inviting melodies and vocals, a dynamic established to great effect on the last EP. “Never Mine” builds methodically, eventually exploding with guitars and real drums. Listen below.
Even before the departure of banjo and harp player Craig Struble, Bronze Radio Return had been shifting from barn-stomping roots music to a more modern pop aesthetic. Their new single, “Ready To Go” finds them comfortable and confident in that arena, their songwriting chops at peak form, with a radio-ready sheen that remains relatively organic, recalling some of the best of The Shins. Analog synths and tight, dry drums carry clean guitars and the band’s trademark harmonies over a great melody. Not a surprise, then, that banjo and harp might be superfluous to the production.