In the Thicke of It: The Latest on Robin Thicke’s Legal Woes

He may have recently been honored as one of Entertainment Weekly‘s Entertainers of the Year, but Robin Thicke has spent a good portion of 2013 defending his hit song “Blurred Lines.” First, there were the (completely justified) claims that the song promotes rape culture and is derogatory to women. Then, of course, there are his legal troubles “ late Motown legend Marvin Gaye’s surviving family members claim that Thicke’s hit borrows a bit too much from Gaye’s “Got to Give it Up.” Multiple suits and countersuits have been filed since August, making the legal action a little bit tricky to follow. That’s why we’ve compiled this handy timeline of each court claim filed by both Thicke and the Gaye family. After the jump, you can check out each track that allegedly steals from Marvin Gaye (spoiler alert: there are now four) to determine for yourself whether Thicke is guilty of infringing on the motown artist’s intellectual property.

Thursday, August 15: Knowing that Gaye’s estate plans to move forward with legal action if the “Blurred Lines” singer doesn’t compensate them for the song, Thicke, along with co-writers Pharrell Williams and Clifford Harris Jr., take preemptive action and file a suit which states that Blurred Lines is starkly different from Gaye’s “Got to Give it Up.” The lawsuit states, “The basis of the Gaye defendants’ claims is that ‘Blurred Lines’ and ‘Got to Give It Up’ ‘feel’ or ‘sound’ the same. Being reminiscent of a ‘sound’ is not copyright infringement.

Sound And Vision: Post-Mortem Pop, Starring Drake’s Aaliyah Resurrection and the Second Coming of Whitney Houston

Drake must be the luckiest guy in music. He’s got an enviable portfolio of assets: looks, talent, street cred, excellent connections, gold and multi-platinum. Now the Canadian rapper has a beautiful woman, too”at least a controlling interest in her legacy. But is ownership of the next posthumous phase of Aaliyah’s career one benefit too many?

That’s what some are wondering as we approach the 11th anniversary (on August 25) of the death of Aaliyah, who was killed in a plane crash in the Bahamas in 2001, at age 22, cutting short one of the most promising careers in music. Since then, there’s been scant new material issued under her name. I Care 4 U, a posthumous album released in December of 2002, was followed by nearly a decade of silence.

Until now. Earlier this month, Drake unveiled a new Aaliyah track, Enough Said, credited to Aaliyah featuring Drake and produced by the rapper’s Take Care collaborator Noah 40 Shebib. There’s more: Drake has promised a new Aaliyah album, executive produced by himself and 40, with 13 or 14 tracks, to be released later this year.

“Enough Said” Aaliyah featuring Drake

But is it a true Aaliyah album if key players in her life and legacy”namely her immediate family”are left out of it? Her brother, Rashad Haughton, went so far as to deny the family’s involvement on Aaliyah’s Facebook fan page. There is no official album being released and supported by the Haughton family, he posted on August 7, several days after Drake released the new single. (more…)

Sound and Vision: Usher Vs. Justin Bieber Vs. Chris Brown– Will the Next King of Pop Please Stand Up?

For ages in pop, it’s been all about the women: Adele and Katy Perry this, Rihanna and Lady Gaga that, with Britney, Beyoncé, Ke$ha, and”lately”Carly Rae Jepsen each demanding her own spotlight.

But this summer, as pop’s three hottest males”Usher, Chris Brown, and Justin Bieber“release new albums, the guys will be giving the ladies their stiffest competition in years. Are any of them most likely to succeed Michael Jackson as the new King of Pop, this season or in seasons to come? Read on….

The Princes-in-Waiting

Usher Vocally, Usher is without a doubt the most-talented man in pop, and he already has a hit list that’s long enough to guarantee his place in music history. Commercially speaking, though, he seems to be settling into middle age, a comfortable place where he’s still good for the occasional big hit single (2010’s No. 1 “OMG” and his recent David Guetta collaboration “Without You”).

But he’s hardly a chart shoo-in anymore. “Climax,” the first single from his new album Looking 4 Myself, which was released on June 12, peaked at No. 17 on Billboard’s Hot 100, 16 notches lower than “Yeah!,” the premiere single from 2004’s Burn that spent 12 weeks on top. Meanwhile, after one day in stores, Looking 4 Myself was projected to sell only up to 130,000 copies in its first week, some 200,000 less than 2010’s Raymond v. Raymond. (more…)

Thursday, April 19, 2012

The EditoriaList: Ten Interesting Backstories To Pop Songs

Ever wonder what that song is about? Here’s what these songs are about:

Cry Me A River “ Justin Timberlake

The video Justin Timberlake made for his solo hit, featuring a familiar-looking blonde and a glimpse of a photo in an errant frame, did nothing to dispel theories that this track was about Britney Spears’ cheating ways. Goddam you, Britney, how could you?!


Winehouse's Lionness And The Tricky Prospect Of The Posthumous Release

We haven’t heard the last of Amy Winehouse yet, folks.

The BBC reports that Lioness: Hidden Treasures will be the third and potentially final release from the tragic singer. Coming out in December”just in time for the holidays”the twelve-track collection consists of assorted curios; b-sides, demos, covers, reworks and outtakes. Lioness supposedly shows fans where Winehouse was going with her sound at the time of her death and includes some unreleased material that gives the listener a true sense of her musical identity and influences. The project was curated by members of Winehouse’s family along with producers that Winehouse had worked with in the past, and though there is “a trove” of live performances from which to cull more material for future releases, this appears to be the final studio offering of the late singer.