As if A-Pop wasn’t bad enough already. Just when one might have thought that American pop, with all its auto-tuned voices and fake plastic beats, couldn’t possibly make the eyes and ears bleed more, it’s about to get worse. Nicki Minaj is set to bombard us with more of her overexposure via a series of reality specials on E!, her new gig as a 12th-season American Idol judge, and, of course, more music, while Britney Spears, of all vocally challenged singers, is already sitting in judgment of wannabe A-Pop idols on The X Factor.
And last but not least scary, Ke$ha’s back, and going by the early success of Die Young, the first single from her upcoming sophomore album Warrior (out November 30), she’s here to stay”at least for the time being. (more…)
Gays and lesbians have come a long way in entertainment since the days when George Michael had to have faith and pretend to want a woman in the “Father Figure” video to sell millions of albums. Although there’s no telling whether Queen would have been as successful in the ’70s and early ’80s had Freddie Mercury definitively outed himself as a lower-case queen, for the most part, today’s closeted male superstars don’t have to wait until they are about to succumb to an AIDS-related illness to publicly acknowledge their sexuality (like Rock Hudson did)”or not (like Liberace and, well, Mercury).
That doesn’t mean coming out of the closet still won’t have a negative effect on the bankability of gay music stars. This is why most of them still choose to wait until they don’t have too much to lose. Elton John, Ricky Martin, Clay Aiken, Savage Garden’s Darren Hayes and Michael all did it after their blockbuster days were over.
Though Hayes continues to release solo records that earn critical raves, it’s been years since he was A-list on the charts. John is a superstar for life, but his most notable post-coming out success (the 33 million-selling worldwide No. 1 single “Candle in the Wind ’97”) was with a song he sang to a dearly departed princess. How gay! Rufus Wainwright, despite critical plaudits, has never had gold album in the US.
Then there is Adam Lambert, the perfect example of how to be an out and gay pop star. He has a vociferous fan base, but his commercial performance isn’t commensurate with his level of fan devotion. He should be selling as many singles as Justin Bieber, but his last one, “Better Than I Know Myself,” was a chart dud (No. 76 on Billboard’s Hot 100), resulting in Trespassing, his sophomore album, being pushed back from March to a May 15 release date. Do we blame it on a weak single, or a pop constituency that’s still skittish about fully embracing a proudly out singer? (more…)
- Blue Ivy’s first 3 days: Trending topic? Check. Being featured on a Jay-Z track? Check.
- The desert has never sounded cooler.
- Miranda Lambert can’t wait to be sexually assaulted.
- Ricky Martin is Glee-fully sexy, and he knows it!
- Looks like Nicki can add another crown to her collection.
- The People will miss Katy Perry.
- American Idol vs. The Voice: the claws are coming out!
- Refused are NOT f***ing dead.
It’s been nearly eight years since George Michael released an entire album of new music, and three since he put out a single that wasn’t a cover of New Order’s “True Faith.” But in 2011, the singer-songwriter starred in what must have been one of the year’s most gripping YouTube videos, two minutes as gripping and heartfelt as anything on Listen Without Prejudice Vol. 1, his essential 1990 album.
There was no music, and Michael didn’t sing a note. In the clip, which was posted on December 23, Michael gave a press conference in which he discussed his recent near-death experience that began on November 21 on the Vienna stop of his forty-eight-date European tour and which he described as “the worst month of my life.” The normally robust singer, who had contracted a chest infection that was later diagnosed as life-threatening pneumonia and spent a month in hospital in Vienna (including ten days in the intensive-care unit), appeared gaunt and gray, often struggling to catch his breath.
In a year that took so many of music’s greats (R.I.P., Amy Winehouse, Nikolas Ashford, Phoebe Snow, Vesta Williams, Clarence Clemons, Dobie Gray, Billie Jo Spears), Michael is truly lucky to be alive ”and he knows it. So what’s next? First, as he said in the interview, he will reschedule the cancelled dates on the Symphonica Tour that he was staging throughout Europe and the UK when his illness struck. The shows featured Michael performing his own hits and non-hits as well as select covers (including Winehouse’s “Love Is a Losing Game”) with a symphonic orchestra.
A US Presidential election, Summer Olympics mania (London’s calling”again!), Rihanna’s film debut (in Battleship, out May 18) and the possible end of the world. Those are a few of the things I won’t be looking forward to in the coming year. Fortunately, music will offer enough thrills to distract us from all that we’d rather forget. Here’s what’s topping my 2012 anticipation list:
1. Madonna makes fiftysomething fabulous all over again. Although I’m curious to hear what Madonna does with Nicki Minaj and M.I.A. on the final cut of “Gimme All Your Luvin'” when the single is released the last week of January, that’s not the main reason I’m excited about her upcoming twelfth studio album (due in late March), her first since turning fifty in 2008. “Masterpiece,” a new song featured in the Madonna-directed W.E. (which goes into wide release on February 3, two days before her Super Bowl XLVI performance) and her reunion with her Ray of Light producer William Orbit, is an achingly beautiful ballad that recalls the best of ’90s Madonna while gently proving that she can still create pop magic all on her own.
2. Madonna vs. Elton John vs. Mary J. Blige vs. Chris Cornell vs. Glenn Close (!) at the Golden Globes. Too bad the Academy of Motion Picture Arts and Sciences has disqualified Madonna’s “Masterpiece” from competition at the February 27 Oscars. Why? Because it’s the second song featured during the closing credits, and eligible songs must either be in the body of the film, or the tune that plays when the credits start to roll. Oscar’s loss. The January 15 Golden Globes showdown featuring five monsters of pop, rock and soul and acting will be just as star-studded”and as tough to call”as George Clooney vs. Brad Pitt vs. Leonardo DiCaprio vs. Ryan Gosling in Best Actor in a Motion Picture Drama.
- Being punched in the face can’t hurt nearly as much when Deadmau5 is wearing that giant mouse head.
- Don’t worry, Ricky Martin, you’re still a sex symbol.
- Will Fleet Foxes dethrone Adele?
- And will Spotify dethrone iTunes?
- Friendly Fires embraces their inner pop-ness.
- The Situation just won’t go away.
- So far, The Voice is behaving itself.
- We love when Lady Gaga releases a new song, because the comments provide hours of entertainment.