With all those Grammys she won in early 2012, it comes as no surprise that powerhouse soul/pop singer Adele has been dubbed Entertainer Of The Year by Associated Press. Not just singer of the year, or musician, but entertainer. That means she even beat out that guy down the street with the flaming hula hoop and the unicycle! And let me tell you, that guy is one hell of an entertainer. AP readers and staff rated her far above other major entertainers and celebrities such as Taylor Swift, E.L. James (author of Fifty Shades of Grey), PSY, and the entire Twilight cast. Now that’s some high praise.
While she did not release a new album or do a world tour this year, Adele’s singles from 2011 still remain among the most highly played tracks on radio, television, in movies, and more. We seemingly can’t get enough Adele. Her most recent accomplishment, apart from delivering a baby, of course, is the single “Skyfall,” written to be the title theme of the new James Bond film. According to Billboard, “The song recently received a Golden Globe nomination. No Bond theme has ever won the best original song Oscar, but given Adele’s awards success thus far, it wouldn’t be a stretch to think she has a chance of changing that.” Regardless of whether she wins or not, Adele has still achieved more in one year than most entertainers do in their lifetime.
If you like Adele, then check OurStage artist Brittany Campbell.
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Yesterday, Green Day fans rejoiced when the band streamed their latest album ¡Dos! a full week early. And although it was just last week that Green Day premiered the music video for their Twilight contribution, The Forgotten, it looks like fans have another video to revel in with this morning’s release of Stray Heart.
Returning to their classic Warning sound, Stray Heart, tells the story of a womanizing boyfriend, on the hunt for his¦you guessed it, stray heart. Check it out right here and let us know your thoughts on the album’s new sound.
If you like Green Day, check out OurStage artist Wolf Rage.
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Move over, Coldplay. And tell U2 the news. Muse is gunning for the latter bands’ longtime job, the one for which the former might be considered naturally next in line: biggest rock band on the planet.
Bono, for one, may have seen this coming. When Muse opened for U2 on U.S. dates of the iconic Irish band’s 360° Tour in September and October of 2009, U2 frontman Bono touted the young English trio as one to watch ” and listen to ” the next biggest thing. Muse deserved the distinction: What other rock & roll band can claim responsibility for inspiring the Twilight saga?
And, finally, thank you to the talented musicians who inspire me, particularly the band Muse ” there are emotions, scenes, and plot threads in this novel that were born from Muse songs and would not exist without their genius.
” Twilight author Stephenie Meyer
But being the muse of a best-selling author and earning plum spots on the soundtracks to the blockbuster films based on her blockbuster book series do not ruling rock Gods make. Muse, though, is about to give it a shot with their upcoming sixth album, The 2nd Law (due October 2), which is receiving perhaps the biggest pre-release marketing push since Lady Gaga‘s Born This Way. (more…)
Every day, somebody once told me, deserves its own soundtrack. So, according to Hollywood, does nearly every film. But unlike the old days when the Saturday Night Fever soundtrack became as popular as the movie, and films like Dirty Dancing and The Big Chill had soundtracks so successful that they spawned sequels, movie music rarely scales blockbuster heights anymore.
On the Billboard 200 album chart for the week ending January 21, Hollywood only had two albums in the Top 40”the soundtracks for The Twilight Saga: Breaking Dawn, Part 1 and Alvin and the Chipmunks: Chipwrecked. So did Florence and the Machine!
Unless the music is linked to the TV series Glee, chart traction is no longer guaranteed, not even for songs from the biggest blockbusters. Bruno Mars scored one of the few big movie hits of recent years with his Twilight Saga track “It Will Rain” (No. 3 on Billboard’s Hot 100), which, astonishingly, was the first chart hit launched by the massively successful vampire franchise.
Nowadays, the studios and indie houses seem to use all of the best music in the movie trailers anyway. Better to hear a familiar pop song (say, Florence and the Machine’s “Dog Days Are Over”) selling a Julia Roberts rom-com (say, Eat Pray Love) than to have to sit through the millionth comic-relief/release oldie sing-along just as the main characters are triumphing over plot-driven (and driving) conflict.
Maybe I just don’t see as many mainstream films as I used to back when Goldie Hawn, Bette Midler and Diane Keaton had their I-will-survive moment in The First Wives Club while singing “You Don’t Own Me,” but thankfully, the number of soundtrack sing-alongs have been waning in recent years.
Still, despite the dearth of hit soundtracks and Motown karaoke moments, music is alive and well in the movies. Here’s how it’s being best put to use these days.
1. To Wake Up Moviegoers: The Constellations‘ “Perfect Day” in Horrible Bosses. Not that anyone needed to be roused from slumber during what was a surprisingly smart and spry comedy, but for those who did doze off and missed the sight of Jennifer Aniston wearing next to nothing, this 2010 track (watch the video here) was the perfect wake-up bomb.
2. To Illuminate the Action”: Desire’s “Under Your Spell” in Drive. Just in case you didn’t get that Ryan Gosling was digging Carey Mulligan in Drive (and the film didn’t exactly, um, drive that point home before deciding that he would die for her), this song’s opening lyric””I don’t eat/I don’t sleep/I do nothing but think of you“” told the entire love story in under twenty words. More than any film in my recent memory, Drive merges sound and vision so brilliantly that I don’t think the movie would have been nearly as effective without its perfectly placed music.
3. To Reflect the Action: Richard Wagner’s Tristan und Isolde in Melancholia. Who better than the man who wrote an entire opera cycle, Gotterdammerung, devoted to the twilight of the Norse Gods, to provide the backing track for a movie about the end of the world? I’ve always imagined that something by the nineteenth-century German composer would be playing in the background, via some invisible loudspeaker in the sky, when the end of days rolled around.
4. To bring on the waterworks: The National’s “About Today” in Warrior. If you weren’t moved, at least nearly driven to tears, by the family drama or the opening strains of the National’s 2004 track, cued right after the brothers played by Tom Hardy and Joel Edgerton re-bonded in the mixed-martial-arts ring, then check the space where your heart should be. There might be something missing.
5. To score an award”or at the very least, a Top 40 hit: Madonna’s “Masterpiece” in W.E. Its Top 40 prospects are grim, but the song Madonna wrote and sung for her second directorial effort is already a Golden Globe Best Original Song winner. Unfortunately, this is the end of its road to the Oscars. To be eligible for a Best Original Song Oscar nod, a tune must be composed specifically for the movie and appear in its body or be the first song that plays when the credits roll. “Masterpiece,” alas, was the second credits tune. By saving the best for last, Madonna killed her Oscar chances. Better luck next film song!