A stellar standout from Late Cambrian‘s brand new LP Sweet Cambrian High Vol. I & II, “Girl Bag Holder” now has a visual companion in the popular ‘musical video’ format. The clip, directed and edited by primary band members John Wlaysewski and Olive Hui, eschews the lyric’s narrative in favor of a stylized study of a young woman simply biding her time with a bottomless candy dish. Great track, fun video, enjoy:
Northern England has launched yet another pristine pop act, a three-piece called TV ME. Led by Thomas McConnell, the band returned to their Liverpool home this past weekent, at the end of a regional tour, just in time to celebrate the release of their four-song EP, A Broadcast From TV ME. At turns breezy and jarring, the EP mixes synthesized and organic instruments in a Harry Nilsson-meets-Brian Wilson-meets-Jon Brion Optigan blur, infused with some extra-modern electronic grooves. Dig it.
Every month, the OurStage community (that’s you) listens and ranks the songs competing on OurStage.com. Once those songs get to the Finals stage, five grand prize winners are selected. Those winners get featured on the ‘OurStage on Amazing Radio’ show, broadcast to hundreds of thousands of music fans around the world. Last month’s show is streaming now. Below are the top five that you’ll hear on this month’s show, along with other favorites from the charts.
The great singer and songwriter Jes Hudak (moonlighting as her alter-ego, Ponymane) has released a new single from the latest of her fascinating side projects, Neon Void. “Numb To Love” is a grand, dramatic track featuring the flourishes of Hudak’s arpeggiated piano under both her own vocal hook as well as the rapid fire verses of Neon Void’s other half, rapper Know One (aka Roan Smith). “Numb To Love” is available on iTunes now.
One of Atlanta’s very best hip-hop artists, Se’von is back with a new full length album, Stadium of Hearts. It’s truly a tour de force, with Se’von not just declaring his supremacy, but also proving it on a barrage of assertive anthems. He builds a modern pop masterwork upon the foundation of classic rap and hip-hop. Look no further than the opener, “Bang Bang,” in which he traces a lineage from LL Cool J to Kanye before shouting out, nationwide, his own booming voice. Se’von has good-sized clips of every song on the LP here. and you can listen to some full tracks below.
The closest analog we could think of while enjoying the new album from Beecher’s Fault, The Easiest Drug To Sell, was Talking Heads. Immediately, the mechanized groove of the opening track, “Moneymouth,” mirrors that of the Heads’ classic “Once In A Lifetime.” The rest of the song and album (at seven songs and just over 26 minutes, it’s technically an EP) is wholly original, but Beecher’s Fault’s meshing of electronic and precisely processed sounds with natural instrumentation, warm lead vocals and tight male-female harmonies (from vocalists Ben Taylor and Lauren Hunt) follows a blueprint created by that seminal NYC art rock band. The Easiest Drug To Sell feels carefully sequenced to invite in the listener, from that somewhat clinical intro through a flat-out rocking and gospel-tinged closer, “Life In This Light” (and doesn’t that title also just evoke the Talking Heads?), which we wrote about when it was released last summer. The lyrics match this flow, beginning with the despairing “Moneymouth” to that final song’s grand zen-like acceptance, via some ebb and flow anxiety and uncertainty on tracks like “Last Disaster.” You can hear the entire record at the Soundcloud link at the bottom: